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If you look back at my FCP X Color Board Presets article, you may notice that those looks were more extreme. I have stayed away from camera LUTs, as a way of neutralizing the image, because these will drastically affect the other corrections in the stack – often in unpredictable ways. You can tweak it, hide/disable it or replace it with a LUT adjustment instead. Only the global settings were adjusted in this layer. The sliders I adjusted include input saturation, pivot, contrast, temperature and magenta. In all of these, the first Primary layer (bottom of the stack) will be the same and is used to neutralize the image. Since each of these presets was built on the same log-encoded (flat) image, you will need to adjust the grade according to the image you apply it to.

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We’ll see when the next SpeedGrade CC update happens.
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It may be that you would have to install this custom folder into the Look Examples folder again after a SpeedGrade CC version update. What happens with the next Adobe update to SpeedGrade CC? I’m not sure what happens to any folders inside the application contents package during an update.

This will expose a set of files, including the Look Examples folder.Īnother caveat to this procedure. On a PC, right-click the application program icon and select “open file location”. When you next open SpeedGrade CC, you will be able to access this new set of Looks in the Looks Management pane. Drag the “op_sgrades” folder into the Look Examples folder. From there, navigate to the MacOS subfolder and then the Look Examples subfolder. This will expose the application’s Contents folder. To install this new folder, you need to open the SpeedGrade CC package contents (right-click the application icon and choose “show package contents”). On a Mac, the supplied Looks styles (Lumetri and SpeedLooks) are inside the closed application bundle. I have not tested this on a Windows PC, so I am not sure where the proper default installation folder lives. Let me point out that my testing and instructions are based on a Mac. Inside, you’ll find a folder called “op_sgrades”.
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To start, download the file from the link below and unzip the archive file. For example, it’s hard to set up a characteristic “orange & teal” look, when the image has no blues, greens or skin tones. These Looks were built around an image I’ve used for many of my color correction blog posts, because it has a nice spectrum of colors. I have created a variety of custom Looks covering color treatments, effects, film styles and more. look files are saved by SpeedGrade in a number of possible folder locations, so you have to be careful, as to which folder is open and selected when you save a file. jpg thumbnail of the shot that the grade was originally applied to. These may include color correction adjustments, but also LUTs and special visual effects filters. These are a combination of any set of layers and grades that you have applied to a single clip. When you work in SpeedGrade, it is possible to save user-created Looks, as well. These include stylized grades, film emulations and camera log conversions among others. When SpeedGrade CC is installed, it includes a number of preset Look examples developed by Adobe and Looks Labs. Grades, LUTs and presets applied in SpeedGrade are combined into a single Lumetri filter effect that gets applied to the clip in Premiere Pro. In this post, I’m doing much the same with Adobe SpeedGrade CC Looks.Īdobe SpeedGrade CC uses the Lumetri deep color engine and presets may be shared between Premiere Pro CC and SpeedGrade CC via the Direct Link protocol. That remains one of the most viewed blog posts I’ve written and literally thousands of readers have downloaded the presets.

For that post, I created a set of presets and made them available as a free download.

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In a previous post, I discussed how to use Final Cut Pro X Color Board presets.
